Heideggera fenomenologiczna metoda interpretacji Kantowskiej estetyki transcendentalnej

Abstract

The article is an attempt to extract the sense used by Heidegger to refer to the “phenomenological interpretation of the Critique of Pure Reason”. It is shown that Heidegger’s method of interpretation means primarily being guided by the “things themselves”, and thus it assumes going beyond the text. For this reason, it must take on the character of a “dispute”. Then, a general overview of Heidegger’s interpretation of the Critique is presented. The central part of the article discusses how this phenomenological method of interpretation “works” in concreto on the example of transcendental aesthetics, in particular with regard to the phenomena and things themselves and pure intuitions.